Charlie Kaufman is describing screenwriters here. However, I take this as a substantial part of the definition of how I approach my work as a director:
‘they find themselves in an environment where they’re encouraged to use their powers to explore the world, their minds and the form itself. Think about the staggering possibilities of the marriage of light, vibration and time.’
The good news is you’re free, The bad news is you’re free!
‘Apartheid’ still exists in new forms.Proud to be performing in Black Mass with co. known for ‘cool and dangerous’ work http://t.co/jcorJ2ibd6
What do you think of this version of the postcard flyer for How Planes Fly? http://ow.ly/i/72mhd
Honoured to have just received confirmation that I have been cast as The Inspector in @twoshedstheatre’s production of Edward Bond’s Black Mass
My late dad, whose body I will be preparing tomorrow for burial on Friday, was a passionate radical campaigner against apartheid in South Africa, the place of our birth. The opportunity to perform in this powerful piece written against the backdrop of the Sharpeville massacre comes at an extraordinary time. There are no coincindences.
@TheLondonTheatrenewcross as part of The Lewisham Fringe Festival http://ow.ly/BQ0Af
Make You Feel That Way by Tor/Sufjan Stevens from @LRCN0CNNR’s ‘The 1.2’ compilation. Great upbeat-music-to-listen-to-whilst-working track.